Some theories argue that for a work to be classified as horror, it has to have a monster πΉ, which has to be threatening in some way, shape, or form. The monster is often otherworldly or violates the laws of nature π, like Jaws - but some argue that a human character can be a monster, as in Psycho and Silence of the Lambs.
In these cases, the human typically has superpowers π¬ - Hannibal Lecter seems to be able to read minds and pull off impossible escapes. When you start looking at human monsters, they are often thinly disguised π₯Έ supernatural beings, who actually only have the appearance of being human.
No matter what the monster looks like, many argue it must have one key π characteristic, which distinguishes it from monsters of other genres, namely sci-fi π½. Horror is a genre in which disgust is central as an emotion. A lot of monsters are designed to be explicitly or implicitly disgusting π€’.
Here are 5 π marketing strategies you can learn and apply from horror movies: